A professional studio condenser microphone, the SCX1 is available with three different polar patterns: Cardioid (SCX1C), Hypercardioid (SCX1HC) and Omnidirectional (SCX1O). The principal applications for the SCX1 are recording, sound design, broadcast and live sound applications.
This little microphone has a natural, detailed and balanced response. Perfect for natural reproduction of acoustical instruments such as members of the bowed and plucked string-families, grand piano, brass, percussion, overhead choir and voice -with a minimum of coloration. The response is rather smooth and flat even at an angle!The CM3 is tough enough to handle drums with full depth and punch, drum overhead clearly and crisp without strain. It also handles amplified instruments well. -A true all-round microphone!It's suitable for professional studio and PA use, with a price tag at the hobbyist level!It's very small size (about the same as a normal XLR plug) makes it easy to place, without being in the way. Its size and black colour makes it close to invisible on stage. Delivered with foam windshield and microphone holder (clip).
A compact, high-quality capacitor microphone which uses interchangeable capsules to provide a choice of cardioid, hypercardioid or omnidirectional pickup patterns.The MC 012 is designed for sound recording studios and reinforcement at cinema, TV and radio studios, and during theatre and entertainment events.
The C430 professional condenser microphone is specifically designed for cymbal and overhead miking. The frequency response of the C430 ensures a uniquely crisp sound which often reduces the need for external EQs. With its extremely compact external dimensions, the C430 microphone will keep a low profile in any application without compromising audio quality.
The DPA Compact Cardioids are phantom powered (P48) condenser microphone using the same type of cartridge as the famous DPA 4011, but is preamplified using a built-in ultra-small thick-film mounted FET-preamplifier. The result is the worlds smallest studio quality cardioid condenser microphone, which runs directly on phantom power with no external preamplifier needed. The 4022 has a rear-mounted cable for situations where the microphone needs to be suspended from its own cable or mounted on a stand.
The 4027 is a similar compact design to the 4021 but with a wide cardioid pick-up pattern. This allows recording of a broader sound field which is very useful for use with instruments with a complex radiation pattern. The response has the same gentle HF lift of the 4015/4016 capsule for increased brilliance when used for close miking. The 5 m cable enters at 90° to the microphone’s axis.
The C391 B high-performance small-diaphragm condenser microphone is a combination of the Blue Line Series CK91 and the SE300 pre-amplifier. The microphone has a cardioid polar pattern, a low self-noise and very good transient response for a bright and brilliant sound. It also features the ability to quickly interchange its capsule with one of the other capsules of the Blue Line Series, making it an excellent mic for demanding broadcast applications. The C391 B provides a switchable bass roll-off/attenuator with three positions: flat, 75Hz and 10db attenuation.
C-2 microphones are built to capture the performance of a choir, piano or any other vocal or acoustic sound source to provide a beautiful true-to-life sound. Sold in perfectly matched pairs, these outstanding C-2 mics are ideal for acoustic guitars and overhead drum studio and live sound applications.
A compact, high-quality capacitor microphone which uses interchangeable capsules to provide a choice of cardioid, hypercardioid or omnidirectional pickup patterns. The MC 012 is designed for sound recording studios and reinforcement at cinema, TV and radio studios, and during theatre and entertainment events.
Ideal for critical studio and live applications, the low-profile AT4021 offers a flat, extended frequency response, high maximum SPL and wide dynamic range. Its low self-noise is perfectly suited for the most sophisticated recording equipment. Its low-mass diaphragm improves transient response, increases response bandwidth and reduces handling and mechanical noise transfer. The microphone offers outstanding reproduction of low-frequency sounds.
Ideal for acoustic guitar, percussion, overheads, vocals and more, the ATM33a excels in both studio and stage applications. It offers outstanding linearity both on- and off-axis and features high SPL capability and wide frequency response. Also named AT8033.
audix SCX1CA professional studio condenser microphone, the SCX1 is available with three different polar patterns: Cardioid (SCX1C), Hypercardioid (SCX1HC) and Omnidirectional (SCX1O). The principal applications for the SCX1 are recording, sound design, broadcast and live sound applications.
lineaudiodesign CM3This little microphone has a natural, detailed and balanced response. Perfect for natural reproduction of acoustical instruments such as members of the bowed and plucked string-families, grand piano, brass, percussion, overhead choir and voice -with a minimum of coloration. The response is rather smooth and flat even at an angle!The CM3 is tough enough to handle drums with full depth and punch, drum overhead clearly and crisp without strain. It also handles amplified instruments well. -A true all-round microphone!It's suitable for professional studio and PA use, with a price tag at the hobbyist level!It's very small size (about the same as a normal XLR plug) makes it easy to place, without being in the way. Its size and black colour makes it close to invisible on stage. Delivered with foam windshield and microphone holder (clip).
oktava MC 012 / MK 012A compact, high-quality capacitor microphone which uses interchangeable capsules to provide a choice of cardioid, hypercardioid or omnidirectional pickup patterns.The MC 012 is designed for sound recording studios and reinforcement at cinema, TV and radio studios, and during theatre and entertainment events.
akg C430The C430 professional condenser microphone is specifically designed for cymbal and overhead miking. The frequency response of the C430 ensures a uniquely crisp sound which often reduces the need for external EQs. With its extremely compact external dimensions, the C430 microphone will keep a low profile in any application without compromising audio quality.
dpa 4022The DPA Compact Cardioids are phantom powered (P48) condenser microphone using the same type of cartridge as the famous DPA 4011, but is preamplified using a built-in ultra-small thick-film mounted FET-preamplifier. The result is the worlds smallest studio quality cardioid condenser microphone, which runs directly on phantom power with no external preamplifier needed. The 4022 has a rear-mounted cable for situations where the microphone needs to be suspended from its own cable or mounted on a stand.
dpa 4027The 4027 is a similar compact design to the 4021 but with a wide cardioid pick-up pattern. This allows recording of a broader sound field which is very useful for use with instruments with a complex radiation pattern. The response has the same gentle HF lift of the 4015/4016 capsule for increased brilliance when used for close miking. The 5 m cable enters at 90° to the microphone’s axis.
akg C391 BThe C391 B high-performance small-diaphragm condenser microphone is a combination of the Blue Line Series CK91 and the SE300 pre-amplifier. The microphone has a cardioid polar pattern, a low self-noise and very good transient response for a bright and brilliant sound. It also features the ability to quickly interchange its capsule with one of the other capsules of the Blue Line Series, making it an excellent mic for demanding broadcast applications. The C391 B provides a switchable bass roll-off/attenuator with three positions: flat, 75Hz and 10db attenuation.
behringer C2C-2 microphones are built to capture the performance of a choir, piano or any other vocal or acoustic sound source to provide a beautiful true-to-life sound. Sold in perfectly matched pairs, these outstanding C-2 mics are ideal for acoustic guitars and overhead drum studio and live sound applications.
oktava MC 012 / MK 012A compact, high-quality capacitor microphone which uses interchangeable capsules to provide a choice of cardioid, hypercardioid or omnidirectional pickup patterns. The MC 012 is designed for sound recording studios and reinforcement at cinema, TV and radio studios, and during theatre and entertainment events.
audiotechnica AT 4021Ideal for critical studio and live applications, the low-profile AT4021 offers a flat, extended frequency response, high maximum SPL and wide dynamic range. Its low self-noise is perfectly suited for the most sophisticated recording equipment. Its low-mass diaphragm improves transient response, increases response bandwidth and reduces handling and mechanical noise transfer. The microphone offers outstanding reproduction of low-frequency sounds.
audiotechnica ATM 33aIdeal for acoustic guitar, percussion, overheads, vocals and more, the ATM33a excels in both studio and stage applications. It offers outstanding linearity both on- and off-axis and features high SPL capability and wide frequency response. Also named AT8033.
beyerdynamic M 201A very sensitive dynamic microphone with an integral humbucking transformer to eliminate mains-borne interference when working near computer monitors.