SKU RYC041106

InVision INV-6

SKU RYC041106
  • Virtually indestructible
  • Offers much improved isolation from camera noise
  • No elasticated parts — never sags or needs rethreading
Description
Part of the larger InVision range of noise-reducing microphone shock-mounts, Rycote's InVision Broadcast, are designed for discreet, low-profile on-camera use in broadcast studio environments where windshielding is not required.

The InVision Broadcast mounts feature Rycote's latest Lyre suspension systems to offer broadcast professionals the cleanest possible sound, free from unwanted cable or stand-borne noise. They may be used with microphones mounted on desks, stands or boom poles, or suspended mics.
Specifications
  • To Fit Mic Diameter
    Suitable for the Audix M1280, M-Audio Pulsar II and Sennheiser e906, amongst others
Warranty

Warranty Rycote

The Rycote European Warranty offers 24-month coverage for Rycote products purchased within the European Union, Iceland, Norway, Switzerland, and Turkey.

MANUFACTURER’S LIMITED WARRANTY
Rycote Microphone Windshields Ltd (“Rycote”) warrants to purchasers of Rycote manufactured products (“Products”) within the European Union, Iceland, Norway, Switzerland and Turkey (“Purchasers” or a “Purchaser” as the context may require) that during the warranty period (as defined below), Rycote or a Rycote authorised distributor will, in a commercially reasonable time, remedy defects in materials, design and workmanship in Products free of charge by repairing or, should Rycote in its discretion deem it necessary, replacing the Product in accordance with this Warranty (unless otherwise required by law). This Warranty is only valid and enforceable in the country where the Purchaser has purchased the Product provided that Rycote has intended the Product for sale in that country. However, if the Purchaser purchased the Product in a member state of the European Union, Iceland, Norway, Switzerland or Turkey and Rycote originally intended the Product for sale in one of those countries, this Warranty is valid and enforceable in all of those above listed countries.

WARRANTY PERIOD
The warranty period starts on the date of the Product’s original purchase by the first end-user Purchaser and expires twenty four months after that date (hereinafter the “Warranty Period”). The Warranty Period will not be extended or renewed or otherwise affected due to subsequent resale, Rycote authorised repair or replacement of the Product.

HOW TO GET WARRANTY SERVICE
If a Purchaser wishes to make a claim under this Warranty, the Product or the affected part (if it is not the entire Product) should be returned to a Rycote authorised distributor. Contact Rycote on sales@rycote.com for further details on how to make a claim. Information concerning Rycote distributors can be found on the Rycote website. Any claim under this Warranty is subject to the Purchaser notifying Rycote or a Rycote authorised distributor of the alleged defect within a reasonable time of it having come to the attention of the Purchaser and in any event no later than expiry of the Warranty Period. When making a claim under this Warranty, the Purchaser will be required to provide: a) the Product (or the affected part) and b) the original proof of purchase, which clearly indicates the name and address of the seller, the date and place of purchase & the Product type.

WHAT IS NOT COVERED?
This Warranty does not cover a) normal wear and tear, b) defects caused by rough handling (including, without limitation, defects caused by sharp items, by bending, compressing or dropping, etc.), or c) defects or damage caused by misuse of the Product, including use that is contrary to the instructions provided by Rycote (e.g. as set out in the Product’s user guide) and/or e) other acts beyond the reasonable control of Rycote. This Warranty does not cover defects or alleged defects caused by the fact that the Product was used with otherwise than for its intended use. This Warranty is not enforceable if the Product has been modified or repaired by anyone other than a Rycote authorised distributor or if it is repaired using unauthorised spare parts (to be determined in the sole discretion of Rycote). This Warranty is not enforceable if the Product has been exposed to moisture, to dampness or to extreme thermal or environmental conditions or to rapid changes in such conditions; to corrosion, to spillage of food or liquid or to influence from chemical products.

OTHER IMPORTANT NOTICES
If the Product is found not to be covered by the terms and conditions of this Warranty, Rycote and its authorised distributors reserve the right to charge a handling fee. When repairing or replacing the Product, Rycote may use products or parts that are new, equivalent to new or re-conditioned.

LIMITATION OF RYCOTE’S LIABILITY
This Warranty replaces all other Rycote warranties and liabilities, whether oral, written, (non-mandatory) statutory, contractual, in tort or otherwise, including, without limitation, and where permitted by applicable law, any implied conditions, warranties or other terms as to satisfactory quality or fitness for purpose. However, this Warranty shall neither exclude nor limit i) any of your legal (statutory) rights under applicable national laws or ii) any of your rights against the seller of the Product. To the extent permitted by applicable law(s), Rycote does not assume any liability for any loss of profit, loss of use of Products or functionality, loss of business, loss of contracts, loss of revenues or loss of anticipated savings, increased costs or expenses or for any indirect loss or damage, consequential loss or damage or special loss or damage. To the extent permitted by applicable law, Rycote’s liability shall be limited to the purchase value of the Product. The above limitations shall not apply in case of gross negligence or intentional misconduct of Rycote or in case of death or personal injury resulting from Rycote’s negligence.

Device Compatibility

Small Diaphragm Condenser

  1. audiotechnica ATM 450
    A side-address small-diaphragm design intended to solve many microphone placement problems, particularly with acoustic instruments. The capsule is a fixed backplate electret design. The design has an extended frequency response and very high SPL capability. The body is all-metal to provide a rugged microphone for heavy stage use.
  2. dpa 4027
    The 4027 is a similar compact design to the 4021 but with a wide cardioid pick-up pattern. This allows recording of a broader sound field which is very useful for use with instruments with a complex radiation pattern. The response has the same gentle HF lift of the 4015/4016 capsule for increased brilliance when used for close miking. The 5 m cable enters at 90° to the microphone’s axis.
  3. akg C430
    The C430 professional condenser microphone is specifically designed for cymbal and overhead miking. The frequency response of the C430 ensures a uniquely crisp sound which often reduces the need for external EQs. With its extremely compact external dimensions, the C430 microphone will keep a low profile in any application without compromising audio quality.
  4. behringer C2
    C-2 microphones are built to capture the performance of a choir, piano or any other vocal or acoustic sound source to provide a beautiful true-to-life sound. Sold in perfectly matched pairs, these outstanding C-2 mics are ideal for acoustic guitars and overhead drum studio and live sound applications.
  5. audiotechnica ATM 10a
    Ideal for group vocals, strings, cymbal overheads, acoustic guitar and piano, the omni pattern provides maximum ambient pickup. This mic offers extremely smooth, extended response on- and off-axis, with low sensitivity to popping and overload. Also named AT8010.
  6. dpa 4022
    The DPA Compact Cardioids are phantom powered (P48) condenser microphone using the same type of cartridge as the famous DPA 4011, but is preamplified using a built-in ultra-small thick-film mounted FET-preamplifier. The result is the worlds smallest studio quality cardioid condenser microphone, which runs directly on phantom power with no external preamplifier needed. The 4022 has a rear-mounted cable for situations where the microphone needs to be suspended from its own cable or mounted on a stand.
  7. audiotechnica PRO37
    The PRO 37R provides professional accuracy for studio recording and is ideal for acoustic guitar, overheads, reeds, brass, piano and more. Its low-mass element provides superb transient response and it delivers undistorted output even when used close to high-SPL instruments. It offers an extremely uniform cardioid polar pattern and extended response.
  8. audiotechnica AT 3527
    Outstanding performance, versatility, and a flat extended frequency response are offered by the AT3527, whose omni pattern provides maximum ambient pickup. The mic also features low sensitivity to popping and overload.
  9. sennheiser MKH 8050 + MZX
    For more information on this specific microphone, visit the brand website.
  10. lineaudiodesign CM3
    This little microphone has a natural, detailed and balanced response. Perfect for natural reproduction of acoustical instruments such as members of the bowed and plucked string-families, grand piano, brass, percussion, overhead choir and voice -with a minimum of coloration. The response is rather smooth and flat even at an angle!The CM3 is tough enough to handle drums with full depth and punch, drum overhead clearly and crisp without strain. It also handles amplified instruments well. -A true all-round microphone!It's suitable for professional studio and PA use, with a price tag at the hobbyist level!It's very small size (about the same as a normal XLR plug) makes it easy to place, without being in the way. Its size and black colour makes it close to invisible on stage. Delivered with foam windshield and microphone holder (clip).
  11. sennheiser MKH 8040 + MZX
    For more information on this specific microphone, visit the brand website.
  12. audiotechnica ATM 33a
    Ideal for acoustic guitar, percussion, overheads, vocals and more, the ATM33a excels in both studio and stage applications. It offers outstanding linearity both on- and off-axis and features high SPL capability and wide frequency response. Also named AT8033.
  13. audiotechnica AT 3528
    The AT3528 offers outstanding performance and versatility, with a flat, extended frequency response. The cardioid pattern provides added warmth when used close up. It also offers high SPL handling capability and a switchable 80Hz hi-pass filter.
  14. akg C391 B
    The C391 B high-performance small-diaphragm condenser microphone is a combination of the Blue Line Series CK91 and the SE300 pre-amplifier. The microphone has a cardioid polar pattern, a low self-noise and very good transient response for a bright and brilliant sound. It also features the ability to quickly interchange its capsule with one of the other capsules of the Blue Line Series, making it an excellent mic for demanding broadcast applications. The C391 B provides a switchable bass roll-off/attenuator with three positions: flat, 75Hz and 10db attenuation.

Handheld/Reporter Mic

  1. audiotechnica ES 973
    A neat condenser microphone which can be used handheld or on a stand. Supplied as a hypercardioid it can also be fitted with AT853 series capsules that have wider pick-up angles.

Shotgun Mic

  1. dpa 2011c
    DPA Microphones is known for its high-performance, uncolored transducers for studio recording, broadcast and live performance. The 2011C is targeted at Live Sound users, it’s an able performer in the studio, as well. The mic handles an incredible 146dB SPL and has a small footprint due to the short MMP-C body. The mic is part of DPA’s Reference Standard group, meaning the capsule and body unscrew for easy integration with other DPA products, such as the higher-end MMP-A or MMP-B bodies, or the 4000 Series capsules. This is a system you can grow with.

Stereo Mic

  1. audiotechnica PRO24
    A single-point stereo microphone for field recording and video production. The design is compact and lightweight - perfect for camera-mounting. It can be powered direct from plug-in power sources (2-10V) or from an internal battery (LR44). The capsules are arranged as coincident XY. The 3.5mm stereo jack is permanently connected (1.8m).

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