DPA Microphones is known for its high-performance, uncolored transducers for studio recording, broadcast and live performance. The 2011C is targeted at Live Sound users, it’s an able performer in the studio, as well. The mic handles an incredible 146dB SPL and has a small footprint due to the short MMP-C body. The mic is part of DPA’s Reference Standard group, meaning the capsule and body unscrew for easy integration with other DPA products, such as the higher-end MMP-A or MMP-B bodies, or the 4000 Series capsules. This is a system you can grow with.

Long Distance Shotgun Pickup with a Rich, Natural Tone. With 120mm long acoustic tube in a standard 250 mm length / 19mm diameter body, with the proprietary Sanken rectangular capsule for supersharp directivity.

A professional studio condenser microphone, the SCX1 is available with three different polar patterns: Cardioid (SCX1C), Hypercardioid (SCX1HC) and Omnidirectional (SCX1O). The principal applications for the SCX1 are recording, sound design, broadcast and live sound applications.

This little microphone has a natural, detailed and balanced response. Perfect for natural reproduction of acoustical instruments such as members of the bowed and plucked string-families, grand piano, brass, percussion, overhead choir and voice -with a minimum of coloration. The response is rather smooth and flat even at an angle!The CM3 is tough enough to handle drums with full depth and punch, drum overhead clearly and crisp without strain. It also handles amplified instruments well. -A true all-round microphone!It's suitable for professional studio and PA use, with a price tag at the hobbyist level!It's very small size (about the same as a normal XLR plug) makes it easy to place, without being in the way. Its size and black colour makes it close to invisible on stage. Delivered with foam windshield and microphone holder (clip).

A compact, high-quality capacitor microphone which uses interchangeable capsules to provide a choice of cardioid, hypercardioid or omnidirectional pickup patterns.The MC 012 is designed for sound recording studios and reinforcement at cinema, TV and radio studios, and during theatre and entertainment events.

The C430 professional condenser microphone is specifically designed for cymbal and overhead miking. The frequency response of the C430 ensures a uniquely crisp sound which often reduces the need for external EQs. With its extremely compact external dimensions, the C430 microphone will keep a low profile in any application without compromising audio quality.

The DPA Compact Cardioids are phantom powered (P48) condenser microphone using the same type of cartridge as the famous DPA 4011, but is preamplified using a built-in ultra-small thick-film mounted FET-preamplifier. The result is the worlds smallest studio quality cardioid condenser microphone, which runs directly on phantom power with no external preamplifier needed. The 4022 has a rear-mounted cable for situations where the microphone needs to be suspended from its own cable or mounted on a stand.

The 4027 is a similar compact design to the 4021 but with a wide cardioid pick-up pattern. This allows recording of a broader sound field which is very useful for use with instruments with a complex radiation pattern. The response has the same gentle HF lift of the 4015/4016 capsule for increased brilliance when used for close miking. The 5 m cable enters at 90° to the microphone’s axis.

The C391 B high-performance small-diaphragm condenser microphone is a combination of the Blue Line Series CK91 and the SE300 pre-amplifier. The microphone has a cardioid polar pattern, a low self-noise and very good transient response for a bright and brilliant sound. It also features the ability to quickly interchange its capsule with one of the other capsules of the Blue Line Series, making it an excellent mic for demanding broadcast applications. The C391 B provides a switchable bass roll-off/attenuator with three positions: flat, 75Hz and 10db attenuation.

C-2 microphones are built to capture the performance of a choir, piano or any other vocal or acoustic sound source to provide a beautiful true-to-life sound. Sold in perfectly matched pairs, these outstanding C-2 mics are ideal for acoustic guitars and overhead drum studio and live sound applications.

The ADK Hamburg Mk8 Large Diaphragm Condenser Microphone is a new and upgraded version of the popular Hamburg Edition with a More Fine-Tuned Response-Curve Designed to Replicate a Vintage Late 1950’s German Tube (Valve) Mic. The Hamburg Mk 8 is the Eighth Generation of ADK Microphones – offering a Mellow, Robust Tonality.

The AKG Perception 120 condenser microphone gives you the kind of versatile performance and reliability you need, whether you're capturing sources in a pro studio, tracking at home, or even going after great live sound. Featuring a cardioid pickup pattern, switchable 20dB attenuation pad, and bass roll-off switch, the Perception 120 has what you need to get great sound anywhere — it's built rugged enough to take the stage, while being sensitive and accurate